HAUNTING BEAUTY | 1870s
Tintype photography of an unnamed African American woman, undated (circa 1870′s). Daniel Cowin Collection of African American History,
International Center of Photography.
Black History Album: The Way We Were. 100 Years of African American Vintage
Photography from the end of slavery in the 1860′s to the Black Power Movement of the 1960s and beyond.
Andrés H. Herrera, Retrato de pareja, Querétaro, 1919
broken glass-plate portraits by Romanian photographer Costică Acsinte.
“Loy and mildred”
Portrait of A Chinese Man ca 1853 – Daguerreotype, taken by Isaac Wallace Baker. Until the Xinhai Revolution in 1911 Chinese living abroad were forced to wear a queue, as an expression of their loyalty to the Manchu Qing emperor.
“When people talk about the Gold Rush, they have a certain image in mind of white forty-niners. But in fact, the Gold Rush was a major, international event that drew people from all over the world.”
— Ming-Yeung Lu
Asian Cultural Program Coordinator
“A lot of the white miners at first willingly sold the Chinese abandoned claims, thinking the Chinese were just simple-minded people, stupid enough to take over these mines they considered worthless,” he added. “But the Chinese worked these mines very thoroughly and it turned out they were hardly worthless, that they could still, in fact, mine a lot of gold from them, at which point the white miners became envious and antagonistic.”
By 1870 there were 63,000 Chinese in U.S., 77% of whom were in California. That year, Chinese miners contributed more than $5 million to state’s coffers through the Foreign Miners Tax, almost one quarter of state’s revenue.
In 1882, Congress enacted the Chinese Exclusion Act, the only American law to specifically bar one group from immigrating to the United States.
Photo Source: Oakland Museum of California
Father and son at El Alamein 1940s.
Jose La Cruz Herrera and sister Appalonia Herrera, Tesuque Pueblo, New Mexico
Photographer: Theodore J. Asplund
Negative Number: 004779