rare-posters:

Absinthe Parisienne. 1896. Pierre-Henri Gelis-Didot & Louis Malteste.

32 ¾ x 47 7/8 in./83.2 x 121 cm

French advertisements loved to work with stock characters from popular culture. Pierrot and Columbina, from the Commedia dell’Arte, are two; Truth, emerging from her well, is another. This here, on the right, is Diafoirus, from Moliere’s 1673 comedy “Le Malade Imaginaire.” He was a charlatan, a quack, and a snake-oil salesman: frequently appearing in French ads and cartoons to represent a foolish endorsement of a particular product. Here, an alluring Green Fairy, holding quite a snifter of the wormwood juice, leans against a full bottle of the stuff, staying Diafoirus’s hand, as if to say: “We don’t need your help, dear. Let them try it for themselves.” The sentiment is emphasized by the caption at bottom, “So drink and you’ll see afterwards.”

Available at auction February 25, 2018.

rare-posters:

Absinthe Parisienne. 1896. Pierre-Henri Gelis-Didot & Louis Malteste.

32 ¾ x 47 7/8 in./83.2 x 121 cm

French advertisements loved to work with stock characters from popular culture. Pierrot and Columbina, from the Commedia dell’Arte, are two; Truth, emerging from her well, is another. This here, on the right, is Diafoirus, from Moliere’s 1673 comedy “Le Malade Imaginaire.” He was a charlatan, a quack, and a snake-oil salesman: frequently appearing in French ads and cartoons to represent a foolish endorsement of a particular product. Here, an alluring Green Fairy, holding quite a snifter of the wormwood juice, leans against a full bottle of the stuff, staying Diafoirus’s hand, as if to say: “We don’t need your help, dear. Let them try it for themselves.” The sentiment is emphasized by the caption at bottom, “So drink and you’ll see afterwards.”

Available at auction February 25, 2018.