the sorrows of satan, 1926 (via tsutpen.blogspot.com)
To dye ? Make up ? Neither – nor. The most beautiful you’re anyway! Cosmetics of the housewife by Elisabet Neff. 1930. Stuttgart, Germany. Cover illustration by Werner Chompton, former Bauhaus student. Via Nosbüsch Stucke
To dye ? Make up ? Neither – nor. The most beautiful you’re anyway! Cosmetics of the housewife by Elisabet Neff. 1930. Stuttgart, Germany. Cover illustration by Werner Chompton, former Bauhaus student. Via Nosbüsch Stucke
The bats have left the bell tower
This is, sans doute, the single gothiest photo ever taken. The only way its gothiness could be exceeded would be if Ian Curtis arose from the dead simultaneously quoting selections from Nietzsche and Anne Rice before swirling his velvet cape around and promptly vanishing into a mist of Victorian melancholy.
The bats have left the bell tower
This is, sans doute, the single gothiest photo ever taken. The only way its gothiness could be exceeded would be if Ian Curtis arose from the dead simultaneously quoting selections from Nietzsche and Anne Rice before swirling his velvet cape around and promptly vanishing into a mist of Victorian melancholy.